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Old 01-12-2004, 02:47 AM   #14
Nowhere Man
Now. Here. Man.
 
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Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)Nowhere Man got the bus to Rep Town and repped it up real bad at the rep shop (100,000+)
The art of pro wrestling itself. As an actor (believe me, you've never heard of me and probably never will), I know that suspending the audience's disbelief is insanely hard to do, and that's what pro wrestlers have to do every single time they're on the show, be it a match, promo, or whatever. Most plays and performances are choreographed well in advanced and rehearsed to perfection, not to mention we get to use our voices for the primary means of storytelling. These guys go out there week in and week out and tell their stories with an absolutely astounding level of physicality, and since most of it is improvised, it's even more impressive. The whole concept of this form of acting-disguised-as-sport just captivates me, and even if the conditions reach all-time lows, I highly doubt I'll ever stop watching.
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