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#1 | ||
Posts: 52,478
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How messed up is "The Skin I live In"?
first, a rather bland description:
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Ive seen some pretty messed up stuff, but seriously..I can't imagine who in their right mind would come up with a book with the idea "the father of a girl thats raped and then kills herself goes off to catch her rapists, give them a sex change, put his dead daughters face on the woman and the fuck the daughter/rapist mashup", let alone anyone that would want to make this into a movie and even worse anyone that would want to be in it..Is the work just not coming in for ol Antonio anymore? Seriously? I just dont know anymore.. 2010 Dumbest Poster Spammy Award Winner |
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#2 |
Hey Mister!
Posts: 54,952
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lol
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#3 |
▬▬ஜ۩۞۩ஜ▬▬
Posts: 16,011
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Cool
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#4 |
All Hype
Posts: 2,186
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Kinda wanna watch that.
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#5 |
"Ask him!"
Posts: 10,072
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I want to watch it simply for the "what the fuck" factor - like the same reason I watched "Cannibal Holocaust."
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#6 |
Posts: 6,727
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Pedro Almodovar is one of the best filmmakers working today, so the film won't be some shitfest like Cannibal Holocaust, he also pay homage to a lot of classic films and this sounds a little like Franju's excellent "Eyes Without a Face". Anyway this was just at Cannes and I believe the overall reception was pretty positive, def one of my most anticipated movies of the year.
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#7 |
Posts: 1,920
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Huge Almodovar mark. Can't wait to see this. The only problem with Almodovar is that I never know which film to consider his best.
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#8 |
Posts: 6,727
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Talk to Her is his masterpiece, IMO.
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#9 |
Hazardous to Your Health
Posts: 21,730
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Sounds great
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#10 |
Listen to Killer Mike
Posts: 56,741
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Human Centipede
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#11 |
You can't teach that
Posts: 19,337
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I just came.
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#12 | |
You can't teach that
Posts: 19,337
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Also, Where did you get this? Every other listing for this film I see is this
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#13 |
God Bless America
Posts: 37,905
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Like Hanso - I don't know where you came up with that film description Droford.
http://www.reuters.com/article/2011/...74I81F20110519 Cannes film review: "The Skin I Live In" CANNES, France (Hollywood Reporter) - As implausible as it might seem, the cinema world of Pedro AlmodŰvar just got stranger in "The Skin I Live In" ("La Piel Que Habito"). Along with such usual AlmodŰvar obsessions as betrayal, anxiety, loneliness, sexual identity and death, the Spanish director has added a science-fiction element that verges on horror. But like many lab experiments, this melodramatic hybrid makes for an unstable fusion. Only someone as talented as AlmodŰvar could have mixed such elements without blowing up an entire movie. With Antonio Banderas returning to the fold to play the mad-scientist protagonist, Sony Pictures Classics is assured that more than the AlmodŰvar faithful will show up for its North American release. Reactions will vary, as it's hard to tell just how much of this is being delivered with tongue-in-cheek panache or how emotionally invested the auteur is in his Dr. Frankenstein character. That doctor would be Banderas' character, Dr. Robert Ledgard, an eminent plastic surgeon and university researcher. As befits his profession, Robert looks like he stepped out of the pages GQ. Yet his face conveys a sense of dark purpose. And he works out of a clinic in his own suburban, highly isolated and secure compound outside Toledo. He presents colleagues with a paper indicating he has been researching the creation of a new and better, stronger skin that considerably bends the boundaries of bioethics. The audience by this point is well aware that confined within his mansion is a young woman, Vera (Elena Anaya), who is being molded — there is no other word for it — to the doctor's specific requirements. And that would be to largely resemble his late wife, who was burned beyond recognition in a car crash and chose to die rather than to live in such ruined skin. Vera wears a skin-colored body stocking like a second skin and spends much of the time in a series of yoga positions. These help her to reach an inner core of selfhood the doctor can never touch. Then a man in a tiger costume (Roberto Alamo) breaks into the house. He's in tiger skin because it's Carnival time, but you suspect AlmodŰvar would have found any excuse to put him into that costume to achieve the image of a tiger on the prowl for Vera. There is first a sexual and then a violent encounter, which leads to revelations about the relationship between the doctor and the tiger-man, and between the men and Robert's housekeeper (Marisa Paredes). Then the movie flashes back six years, which introduces two more characters, Robert's daughter (Blanca SuÖrez) and a local youth (Jan Cornet) who sets his sights on the young, emotionally fragile woman while he is high on pills at a party.... etc etc |
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#14 | ||
Posts: 52,478
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http://themovieblog.com/2011/05/revi...-film-festival
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#15 |
▬▬ஜ۩۞۩ஜ▬▬
Posts: 16,011
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The wife thing makes more sense if you've seen the trailer.
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#16 |
Shelly Martinez = Ratings
Posts: 23,606
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Looks like it'd be an interesting watch.
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#17 |
You can't teach that
Posts: 19,337
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Yeah, so basically Dro got some bad info and shared it.
Not like this is the first time. |
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#18 | |
God Bless America
Posts: 37,905
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well there's a surprise |
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#19 |
Posts: 52,478
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I dont know how the guy that wrote for that blog that actually saw it is "bad info" and I dont get why he would link to the story if it wasn't true.
but anyway |
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#20 |
▬▬ஜ۩۞۩ஜ▬▬
Posts: 16,011
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The premise in the original post is actually accurate except for the daughter's face thing. It was actually his wife's face he made the patient take on. The second premise is accurate too because the movie has layers to it and either one could have worked.
Overall the movie was kind of confusing at first because the events seemed out of order but it got better in the second half. |
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